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Cartoon - Studying Conditions at the Summit. | McCord Museum
Observation des conditions au Sommet
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Observation des conditions au Sommet

Cartoon

Studying Conditions at the Summit.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1955
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.4 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2490
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Traffic Conditions Are Bad in Ottawa Too.
Traffic Conditions Are Bad in Ottawa Too.
John Collins
About 1946
M965.199.9977
More Flood Conditions.
More Flood Conditions.
John Collins
About 1948
M965.199.8234
"Weather Conditions Over the Great Lakes...".
"Weather Conditions Over the Great Lakes...".
John Collins
About 1963
M965.199.2747
Studying the Washington New Look.
Studying the Washington New Look.
John Collins
About 1953
M965.199.9450
Studying the Changing Wind.
Studying the Changing Wind.
John Collins
About 1953
M965.199.9466
While Studying the Higher Altitudes.
While Studying the Higher Altitudes.
John Collins
About 1953
M965.199.9479
Studying the International Style Situation.
Studying the International Style Situation.
John Collins
About 1953
M965.199.9493
Studying the Barometers.
Studying the Barometers.
John Collins
About 1954
M965.199.9914
Studying the New Moscow Thermometer.
Studying the New Moscow Thermometer.
John Collins
About 1953
M965.199.9944
Studying the 1960 Models.
Studying the 1960 Models.
John Collins
1960
M965.199.3977
Studying the Wreckage.
Studying the Wreckage.
John Collins
1953
M965.199.7372
Studying the Hieroglyphics.
Studying the Hieroglyphics.
John Collins
About 1953
M965.199.584

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.