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Cartoon - The Count Down. | McCord Museum
Le compte à rebours
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Le compte à rebours

Cartoon

The Count Down.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1960/03/15
Medium / Technique Ink and graphite on paper
Dimensions36.5 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2385
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Ready for the Election Count-Down.
Ready for the Election Count-Down.
John Collins
1962
M965.199.3752
Count-Down for Our Three-Men Space Team.
Count-Down for Our Three-Men Space Team.
John Collins
About 1968
M965.199.6765
Better Not Count Your Doves Before They Match.
Better Not Count Your Doves Before They Match.
John Collins
About 1948
M965.199.10114
Too Many to Count.
Too Many to Count.
John Collins
About 1953
M965.199.9516
The Count of Monte-Crisis.
The Count of Monte-Crisis.
John Collins
1952-1953
M965.199.5500
In Ottawa It Doesn't Pay to Count Your Chickens too Soon.
In Ottawa It Doesn't Pay to Count Your Chickens too Soon.
John Collins
About 1961
M965.199.8992
It's the Reserves that Count.
It's the Reserves that Count.
John Collins
About 1939
M965.199.4055
He Didn't Count the Cost.
He Didn't Count the Cost.
John Collins
About 1942
M965.199.4649
"No, No, Westmoreland-I asked for Your Body Count First".
"No, No, Westmoreland-I asked for Your Body Count First".
John Collins
About 1968
M965.199.6555
Gets 'Em When They Count.
Gets 'Em When They Count.
John Collins
About 1947
M965.199.2497
Don't Count Your Chickens.
Don't Count Your Chickens.
John Collins
About 1944
M965.199.5696
It's the Last Round that Counts.
It's the Last Round that Counts.
John Collins
1942/02/03
M965.199.3293

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.