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Cartoon - All Ready for the Face-Off. | McCord Museum
Fin prêts pour la mise au jeu
Fin prêts pour la mise au jeu

Cartoon

All Ready for the Face-Off.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1965
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions37.4 x 29.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1625
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Ready to Ride Off in All Directions ?.
Ready to Ride Off in All Directions ?.
John Collins
1947
M965.199.9428
All Ready for the Kick-Off.
All Ready for the Kick-Off.
John Collins
About 1965
M965.199.1473
Ready for the Face-Off.
Ready for the Face-Off.
John Collins
About 1951
M965.199.7896
We've Got the Cast All Ready.
We've Got the Cast All Ready.
John Collins
1952
M965.199.6135
All Ready to Take the Plunges.
All Ready to Take the Plunges.
John Collins
1952-1953
M965.199.5548
All Ready for the World's Series.
All Ready for the World's Series.
John Collins
1962
M965.199.7019
Riding Off in all Directions.
Riding Off in all Directions.
John Collins
About 1965
M965.199.958
Driving Off In All Directions.
Driving Off In All Directions.
John Collins
About 1967
M965.199.9292
Trying to Ride Off in All Directions at Once.
Trying to Ride Off in All Directions at Once.
John Collins
About 1949
M965.199.8352
Let's All Get Off our High Horse.
Let's All Get Off our High Horse.
John Collins
About 1953
M965.199.9478
Trying to Ride Off in All Directions.
Trying to Ride Off in All Directions.
John Collins
About 1956
M965.199.5472
-And Rode Off in All Directions at Once.
-And Rode Off in All Directions at Once.
John Collins
About 1948
M965.199.8576

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.