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Cartoon - The Trouble with Eggheads. | McCord Museum
Le vilain petit canard
Le vilain petit canard

Cartoon

The Trouble with Eggheads.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1958
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1270
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Everybody's an Egghead Now.
Everybody's an Egghead Now.
John Collins
About 1958
M965.199.6231
Having a Bit More Trouble Handling this One.
Having a Bit More Trouble Handling this One.
John Collins
About 1960
M965.199.9389
Don't Invite Trouble.
Don't Invite Trouble.
John Collins
About 1958
M965.199.1196
A Flock of Trouble on his Hands.
A Flock of Trouble on his Hands.
John Collins
About 1956
M965.199.1248
Trouble in the Harem.
Trouble in the Harem.
John Collins
About 1956
M965.199.5390
Having Trouble Scoring Points So Far.
Having Trouble Scoring Points So Far.
John Collins
1958
M965.199.6196
Trouble in the Russian Ballet.
Trouble in the Russian Ballet.
John Collins
About 1949
M965.199.8411
Trouble in the Little Red Schoolhouse.
Trouble in the Little Red Schoolhouse.
John Collins
About 1956
M965.199.1057
Trouble in the Huddle.
Trouble in the Huddle.
John Collins
About 1953
M965.199.9487
He'll Have Trouble Getting that One Mounted.
He'll Have Trouble Getting that One Mounted.
John Collins
About 1951
M965.199.7665
Sounds Like the Other Entry is Having Trouble Too.
Sounds Like the Other Entry is Having Trouble Too.
John Collins
About 1951
M965.199.7667
Trouble with the Flying Carpet.
Trouble with the Flying Carpet.
John Collins
About 1951
M965.199.7712

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.