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Cartoon - A Flock of Trouble on his Hands. | McCord Museum
Le mouton noir
Le mouton noir

Cartoon

A Flock of Trouble on his Hands.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1248
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Has His Hands Full Now !.
Has His Hands Full Now !.
John Collins
1941/04/14
M965.199.3086
"Careful You Don't Play Into His Hands".
"Careful You Don't Play Into His Hands".
John Collins
About 1957
M965.199.5594
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Finding It Hard to Shake Hands.
Finding It Hard to Shake Hands.
John Collins
About 1955
M965.199.393
Look No Hands !.
Look No Hands !.
John Collins
About 1949
M965.199.9767
No Use Just Wringing Our Hands.
No Use Just Wringing Our Hands.
John Collins
About 1964
M965.199.2779
Keep It Hidden from Little Hands.
Keep It Hidden from Little Hands.
John Collins
About 1951
M965.199.7682
Help the Hands that Heal.
Help the Hands that Heal.
John Collins
1958
M965.199.6321
"Look, No Hands !".
"Look, No Hands !".
John Collins
1949
M965.199.7865
Trying to Get Both Hands Playing the Same Tune.
Trying to Get Both Hands Playing the Same Tune.
John Collins
1949
M965.199.1119
There Will Be Some Delay in Shaking Hands.
There Will Be Some Delay in Shaking Hands.
John Collins
1961-1962
M965.199.3794

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.