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Cartoon - Looking for Trouble | McCord Museum
L'art de s'attirer des ennuis
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L'art de s'attirer des ennuis

Cartoon

Looking for Trouble
Artist (1870-1941)
SignatureL.l., A. G. Racey
InscriptionsWritten in pencil above cartoon: Mussolini: - Da police? Bah! Snappa da finger! Biga stiff you, knocka da chip off!; "Mussolini ridiculed the Locarno spirit which he declared as having become soft, evanescent, unsupportable and even hypocritical, like habitual things". Cable dispatch.
Date 1925-1926
Medium / Technique Ink and graphite
Dimensions53.3 x 37 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.330
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Trouble with Fritz
The Trouble with Fritz
Arthur George Racey
1921-1924
M2005.23.322
Two Old Time Enemies Get Together
Two Old Time Enemies Get Together
Arthur George Racey
1934
M2005.23.45
Disarmament a World-Lesson in Human Nature
Disarmament a World-Lesson in Human Nature
Arthur George Racey
1930
M2005.23.46
World News
World News
Arthur George Racey
1936
M2005.23.49
A Pleasant Relief
A Pleasant Relief
Arthur George Racey
1938
M2005.23.50
A Promising Outlook
A Promising Outlook
Arthur George Racey
About 1920
M2005.23.47
King of the Sea
King of the Sea
Arthur George Racey
1940
M2005.23.48
After the Little Trade Tiff
After the Little Trade Tiff
Arthur George Racey
1937
M2005.23.53
Alice in Budgetland
Alice in Budgetland
Arthur George Racey
1931
M2005.23.54
A Study in Expression
A Study in Expression
Arthur George Racey
About 1935
M2005.23.51
Intriguing
Intriguing
Arthur George Racey
1931
M2005.23.52
Disaster
Disaster
Arthur George Racey
1936
M2005.23.23

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.