Skip to main content
Collections Menu
Cartoon - Dead Sea Fruit or Experience | McCord Museum
Les fruits de la mer Morte
Les fruits de la mer Morte

Cartoon

Dead Sea Fruit or Experience
Artist (1870-1941)
SignatureL.r., A. G. Racey
InscriptionsWritten in pencil above cartoon: Beautiful to look at in theory but turns to ashes in the mouth in practice.
Date 1922-1929
Medium / Technique Ink and graphite
Dimensions48.1 x 36.8 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.82
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Nerve or First Fruits of Recognition
Nerve or First Fruits of Recognition
Arthur George Racey
1921
M2005.23.356
He Has Reaped Experience, the Prodigals Return
He Has Reaped Experience, the Prodigals Return
Arthur George Racey
1920-1923
M2005.23.214
Good Fishing in the North Sea
Good Fishing in the North Sea
Arthur George Racey
1940
M2005.23.131
Sea of Politics
Sea of Politics
Arthur George Racey
1940
M2005.23.88
King of the Sea
King of the Sea
Arthur George Racey
1940
M2005.23.48
Anglo-Russian Trade Relations
Anglo-Russian Trade Relations
Arthur George Racey
1930
M2005.23.66
A Stupid Ass Brays
A Stupid Ass Brays
Arthur George Racey
1939
M2005.23.67
A Modern Oliver Twist
A Modern Oliver Twist
Arthur George Racey
1920-1930
M2005.23.65
Congratulations and Good Luck
Congratulations and Good Luck
Arthur George Racey
1930
M2005.23.70
The Puzzling Crossword Puzzle
The Puzzling Crossword Puzzle
Arthur George Racey
1931
M2005.23.71
After the Attack
After the Attack
Arthur George Racey
1931
M2005.23.68
Too Early for Easter. The Newly Hatched Chick
Too Early for Easter. The Newly Hatched Chick
Arthur George Racey
1931
M2005.23.69

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.