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Cartoon - The Hun Cowardly Bully at Work | McCord Museum
Un cas d'intimidation flagrant
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Un cas d'intimidation flagrant

Cartoon

The Hun Cowardly Bully at Work
Artist (1870-1941)
SignatureL.r., A. G. Racey
Date 1938
Medium / Technique Ink and graphite
Dimensions37 x 29.5 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.21
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
After the War Italian Pants Will Need Much Mending as Well as Hun Breeches
After the War Italian Pants Will Need Much Mending as Well as Hun Breeches
Arthur George Racey
1935-1936
M2005.23.30
His Usual Method, Running True to Form
His Usual Method, Running True to Form
Arthur George Racey
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M2005.23.141
A Partial Eclipse of Paris
A Partial Eclipse of Paris
Arthur George Racey
1914-1918
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Mars
Mars
Arthur George Racey
1926-1930
M2005.23.146
The Over-Enthusiastic Watch Dog or a Dignified Retreat
The Over-Enthusiastic Watch Dog or a Dignified Retreat
Arthur George Racey
1920-1933
M2005.23.147
Is Canada Asleep?
Is Canada Asleep?
Arthur George Racey
1926-1930
M2005.23.145
Summer Sports
Summer Sports
Arthur George Racey
1920-1930
M2005.23.150
End of the Runaway
End of the Runaway
Arthur George Racey
1918?
M2005.23.151
Not Even the Meanest Criminal Would Do This
Not Even the Meanest Criminal Would Do This
Arthur George Racey
1920-1928
M2005.23.148
Summer Studies, This Freedom
Summer Studies, This Freedom
Arthur George Racey
1933
M2005.23.149
The Artist and the Critic
The Artist and the Critic
Arthur George Racey
1927
M2005.23.154
The Recalcitrant Candal Appendage
The Recalcitrant Candal Appendage
Arthur George Racey
About 1920-1930
M2005.23.152

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.