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Cartoon - Bourque Returns to China | McCord Museum
Bourque de retour en Chine
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Bourque de retour en Chine
Bourque de retour en Chine

Cartoon

Bourque Returns to China
Artist (Né / Born 1945)
SignatureL. r., SChapleau 99 27-4
Date 1999
Medium / Technique Toner
Computer graphics
Dimensions28.0 x 43.2 cm
Origin Montreal, Quebec, Canada
Object NumberM2000.93.5.1-2
CollectionMcCord
CreditGift of Serge Chapleau
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Pierre Bourque returns to lead Vision Montreal
Pierre Bourque returns to lead Vision Montreal
Serge Chapleau
2003
M2005.166.140.1-2
The return of the Red Panther
The return of the Red Panther
Serge Chapleau
2002
M2003.143.50.1
The return to true values
The return to true values
Serge Chapleau
2005
M2005.166.150.1-3
Return to the Land
Return to the Land
Serge Chapleau
1999
M2001.99.22.1-2
The Return of Captain Canada
The Return of Captain Canada
Serge Chapleau
2000
M2001.99.18.1-2
Bourque wants churches to become borough offices
Bourque wants churches to become borough offices
Serge Chapleau
2001
M2003.143.83.1
After the punch, Quebec hands Bourque a bar of soap
After the punch, Quebec hands Bourque a bar of soap
Serge Chapleau
1997
M2003.143.4.1
Bourque's Texas Junket
Bourque's Texas Junket
Serge Chapleau
1999
M2000.93.15.1-2
Bourque offers Tremblay a hand
Bourque offers Tremblay a hand
Serge Chapleau
2005
M2005.166.132.1-2
Bourque decides to stay
Bourque decides to stay
Serge Chapleau
2001
M2003.143.16.1
Bourque Team / Vision Montréal
Bourque Team / Vision Montréal
Serge Chapleau
1998
M2000.93.38.1-2
Forcillo and Goyer Reject Bourque's Job Offers
Forcillo and Goyer Reject Bourque's Job Offers
Serge Chapleau
1997
M998.51.22.1-2

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.