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Cartoon - Daniel Johnson, as the Invisible Man | McCord Museum
Daniel Johnson: en homme invisible...
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Daniel Johnson: en homme invisible...
Daniel Johnson: en homme invisible...

Cartoon

Daniel Johnson, as the Invisible Man
SignatureL.r. within image, Godin
Date 1997
Medium / Technique Ink on paper
Dimensions27.9 x 21.6 cm
Origin Montreal, Quebec, Canada
Object NumberM2002.132.12
CollectionMcCord
CreditGift of Éric Godin
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Daniel Johnson on his way out...
Daniel Johnson on his way out...
Éric Godin
1998
M2002.132.141
Daniel Johnson is out! Who's in? Liza?
Daniel Johnson is out! Who's in? Liza?
Éric Godin
1998
M2002.132.93
Poor Daniel Johnson...
Poor Daniel Johnson...
Éric Godin
1997
M2002.132.39
Daniel Johnson to step down at end of June: More rumours about me...
Daniel Johnson to step down at end of June: More rumours about me...
Éric Godin
1996
M2002.133.137
Daniel Johnson's referendum platform and the meaning of No
Daniel Johnson's referendum platform and the meaning of No
Éric Godin
1995
M2002.133.105
Daniel Johnson's departure: No one was putting pressure on me...
Daniel Johnson's departure: No one was putting pressure on me...
Éric Godin
1998
M2002.133.202
Johnson and the journalists: One more time...
Johnson and the journalists: One more time...
Éric Godin
1994
M2002.133.66
Ben Johnson
Ben Johnson
Éric Godin
1993
M2002.133.26
Lucien Bouchard bids goodbye to Johnson
Lucien Bouchard bids goodbye to Johnson
Éric Godin
1998
M2002.132.95
Homeless man beaten in the métro
Homeless man beaten in the métro
Éric Godin
1994
M2002.133.56
The Invisible Man.
The Invisible Man.
John Collins
About 1947
M965.199.10033
Dealing with the Invisible Man.
Dealing with the Invisible Man.
John Collins
1961-1962
M965.199.3791

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.