Skip to main contentAlbumen print - Mr. Waldo costumed as a "Portuguese Officer of the 16th Century", Montreal, QC, 1881 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Albumen print
Mr. Waldo costumed as a "Portuguese Officer of the 16th Century", Montreal, QC, 1881
Photography studio
Notman & Sandham
(1877-1882)
SignatureNon signé / Unsigned
Date
1881/02/28
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions14.9 x 9.4 cm
Origin
Montreal, Quebec, Canada
Object NumberII-60041.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Mrs. Lottie Sherwood Hamilton’s son costumed in 16th-century costume and daughter as “Cherry Ripe,” Montreal, Quebec, 1881
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Interior, Spanish and Portuguese synagogue, Montreal, QC, 1879
Notman & Sandham
1879/05
VIEW-1062.1
Interior, Spanish and Portuguese synagogue, Montreal, QC, 1879
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1879/05
VIEW-1061.1
Spanish and Portuguese Synagogue, Montreal, QC, 1879
Notman & Sandham
1879/05
VIEW-1057.1
Mrs. John C. Moore costumed as "A Lady of the 17th Century," posed for a composite, Montreal, Quebec, 1870
William Notman
1870
I-43687.1
Officers of the 16th Regiment, Montreal?, QC?, 1869
William Notman
1869
I-40696
Interior of the Portuguese Synagogue, Stanley Street, Montreal, QC, about 1890
Inconnu / Unknown
1885-1895
MP-0000.849.13
Mabel and Percy Cowans costumed as “A Lady of the 13th Century” and a character from the play School for Scandal, Montreal, Quebec, 1924
Wm. Notman & Son Ltd.
1924
II-261637
Colonel Martindale costumed as "An Officer of the Old Guard" posed for a composite, Montreal, Quebec, 1870
William Notman
1870
I-43734.1
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.