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Gelatin silver glass plate negative
S. Walker, taken for a composite, Montreal, QC, 1897
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1897/01/25
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.4 x 20.3 cm
Origin
Montreal, Quebec, Canada
Object NumberII-118152
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
George W. Ellis, taken for a composite, Montreal, QC, 1897
Wm. Notman & Son
1897/01/22
II-118108
W. H. Monks, taken for a composite, Montreal, QC, 1897
Wm. Notman & Son
1897/01/25
II-118154
William Aird, taken for a composite, Montreal, QC, 1897
Wm. Notman & Son
1897/01/22
II-118109
Miss Gillespie, taken for the Castanet Club composite, Montreal, QC, 1886
Wm. Notman & Son
1886/03/19
II-79850
Miss Angus and sisters, taken for the Castanet Club composite, Montreal, QC, 1886
Wm. Notman & Son
1886/03/19
II-79848
Miss Mabel G. Allan, taken for the Castanet Club composite, Montreal, QC, 1886
Wm. Notman & Son
1886/03/22
II-79871
Mrs. Charles Whitlaw, taken for a composite, Montreal, QC, 1896
Wm. Notman & Son
1896/11/25
II-117198
Mrs. Frank W. Smith, taken for a composite, Montreal, QC, 1896
Wm. Notman & Son
1896/10/27
II-116850
Mrs. William A. Smith, taken for a composite, Montreal, QC, 1896
Wm. Notman & Son
1896/10/27
II-116851
Mr. Miller, taken for a composite, Montreal, QC, 1896
Wm. Notman & Son
1896/10/22
II-116798
Frank W. Smith, taken for a composite, Montreal, QC, 1896
Wm. Notman & Son
1896/10/27
II-116849
Mrs. Edward L. Bond, taken for a composite, Montreal, QC, 1896
Wm. Notman & Son
1896/10/22
II-116796
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.