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Gelatin silver glass plate negative
Dog, copied for Miss E. Stokes in 1925
Photographer
Inconnu / Unknown
Photographer (copy)
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1925/11
Medium / Technique
Silver salts on glass
Gelatin silver process
Gelatin silver process
Dimensions20.3 x 25.4 cm
Origin
Canada
Object NumberII-267960.0
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Messrs E. E. Stokes, A. W. Sexton and two ladies, Montreal, QC, 1866
William Notman
1866
I-21435.1
Messrs E. E. Stokes, A. W. Sexton and two ladies, Montreal, QC, 1866
William Notman
1866
I-21436.1
Miss Hilda Ross, painting by D. E. Vicaji, copied for Miss Vicaji, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23396
Miss Dorothy Molson, painting by D. E. Vicaji, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23475
Miss Hilda Ross, painting by D. E. Vicaji, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23476
Miss Roger, painting by D. E. Vicaji, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23478
Family group in livingroom, for Miss A. Simard, copied 1925
Inconnu / Unknown
Copied in 1925
II-268418.0
Canadian officers inspecting captured guns, near Vimy Ridge, France, 1917, copied for Miss L. E. Pease in 1917
Inconnu / Unknown
Copied in 1917
II-222454.0
Portrait of Mrs. H. Owen (?), painting by D. E. Vicaji, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23276
Mr. Ewark, painting by D. E. Vicaji, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23472
Portrait of an unidentified woman, painting by D. E. Vicaji, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23422
The pionneer, painting by J. E. Schaflein, 1924-25, copied for Art Gallery in 1925
Wm. Notman & Son Ltd.
1925
VIEW-23447
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.