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Cartoon - A Universal Expo? | McCord Museum
L'expo universelle
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L'expo universelle
L'expo universelle

Cartoon

A Universal Expo?
Artist (1929-1997)
SignatureL. r. within image, Normand Hudon
InscriptionsBelow cartoon in pencil: Si on l'a jas, on saura au moins pourquoi !
Date 1960
Medium / Technique Ink, crayon and opaque white pigment on paper
Dimensions30 x 31.5 cm
Origin Quebec, Canada
Object NumberM997.63.420
CollectionMcCord
CreditGift of Arlette Hudon
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Expo New York, Our Trial Balloon
Expo New York, Our Trial Balloon
Normand Hudon
1964
M997.63.295
Symbol for Expo 67
Symbol for Expo 67
Normand Hudon
1966?
M997.63.202
The Incompetents
The Incompetents
Normand Hudon
1960-1970
M997.63.528
It's Lester's way of proving he's a man and a party leader...
It's Lester's way of proving he's a man and a party leader...
Normand Hudon
1963
M997.63.529
Too bad his head isn't as full as Gerry's election fund...
Too bad his head isn't as full as Gerry's election fund...
Normand Hudon
1960
M997.63.532
The needle keeps coming back to the start!
The needle keeps coming back to the start!
Normand Hudon
1959-1960
M997.63.533
Autumn Tides
Autumn Tides
Normand Hudon
1965
M997.63.513
Our Great and Powerless Dictator
Our Great and Powerless Dictator
Normand Hudon
1960
M997.63.520
How polite of me! I could have put you in a bathing suit...
How polite of me! I could have put you in a bathing suit...
Normand Hudon
1960
M997.63.521
The trick, Antoine, is to forget what the other guys never did...
The trick, Antoine, is to forget what the other guys never did...
Normand Hudon
1964
M997.63.490
War of the Insignia
War of the Insignia
Normand Hudon
1960-1965
M997.63.497
Regrets
Regrets
Normand Hudon
1963
M997.63.503

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.