Skip to main contentGelatin silver print - Double exposure of two street scenes, Dawson City, YT, about 1900 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver print
Double exposure of two street scenes, Dawson City, YT, about 1900
Artist
Inconnu / Unknown
SignatureNon signé / Unsigned
Date
About 1900
Medium / Technique
Silver salts on paper mounted on paper
Gelatin silver process
Gelatin silver process
Dimensions10.7 x 9.5 cm
Origin
Canada
Object NumberMP-0000.2360.41
CollectionMcCord
CreditGift of Wright family ?
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Flotsam and jetsam from shipwreck (?), double exposure, about 1930
Inconnu / Unknown
About 1930
MP-1978.107.129
On the shore (double exposure), Wakeham Bay, NU, 1922, copied in 1970-1980
Frederick W. Berchem
Copied in 1970-1980
MP-1984.130.74
Double exposure, rapids and houses, trading post at Port Harrison (Inukjuak), QC, 1921(?)
Captain George E. Mack
1921?
MP-0000.597.292
Aboriginal grave on Moosehide Creek, near Dawson City, YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.44
Wagon and dog team, Dawson City, YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.43
Houses on the river bank, Dawson City(?), YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.62
When it's 60º in Dawson City, YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.61
Dogteam and log houses, Dawson City(?), YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.30
Foot race, Dawson City, YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.36
Man sawing wood, Dawson City(?), YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.39
Man sawing wood, Dawson City(?), YT, about 1900
Inconnu / Unknown
About 1900
MP-0000.2360.38
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.