Skip to main contentGelatin silver glass plate negative - Demolition of St. Andrew's Church, Beaver Hall Hill, Montreal, Quebec, about 1928 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Demolition of St. Andrew's Church, Beaver Hall Hill, Montreal, Quebec, about 1928
Photographer
J. Bertram
?
SignatureNon signé / Unsigned
Date
About 1928
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.3 x 25.4 cm
Origin
Canada
Object NumberMP-0000.1450.1
CollectionMcCord
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
St. Andrews Church, looking up Beaver Hall Hill, Montreal, QC, about 1890
Wm. Notman & Son
About 1890
VIEW-1231
St. Andrew's Church, Beaver Hall Hill, Montreal, about 1885
Wm. Notman & Son
About 1885
VIEW-1481
St. Andrew's Church, Beaver Hall Hill, Montreal, about 1885
Wm. Notman & Son
About 1930
VIEW-1481.2
Construction of the Bell Telephone building, Montreal, Quebec, 1928
J. Bertram
1928
MP-0000.1450.4
Construction of the Bell Telephone building, Montreal, Quebec, 1928
J. Bertram
1928/03/31
MP-0000.1450.5
Construction of the Bell Telephone building, Montreal, Quebec, 1928
J. Bertram
1928/03/16
MP-0000.1450.7
Construction of the Bell Telephone building, Montreal, Quebec, 1928
J. Bertram
1928/06/23
MP-0000.1450.6
Construction of the Bell Telephone building, Montreal, Quebec, 1928
J. Bertram
1928/03/02
MP-0000.1450.8
St. Andrews Church, Beaver Hall Hill, Montreal, QC, about 1860
William Notman
About 1860
N-0000.193.24.2
Looking West, construction of Royal Bank building, Montreal, Quebec, 1927
J. Bertram
1927
MP-0000.1450.3
Royal Bank Building, Seen from above Looking East, Montreal, Quebec, 1927
J. Bertram
1927
MP-0000.1450.2
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.