Skip to main contentGelatin silver glass plate negative - Indian River and bridge, Whycocomagh, Cape Breton, NS, about 1914 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Indian River and bridge, Whycocomagh, Cape Breton, NS, about 1914
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
About 1914
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.2 x 25.2 cm
Origin
Canada
Object NumberVIEW-5217
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Indian River and bridge, Whycocomagh, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5217.1
Whycocomagh landing, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5160
Whycocomagh, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5157
Whycocomagh, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5156
Cleaning away the brush at Whycocomagh, Cape Breton, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8390
A mountain stream from Baddeck to Whycocomagh, Cape Breton, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8389
On the bay shore at Whycocomagh, Cape Breton, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8391
Louisburg from Sydney & Louisburg R.R. bridge, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5138
South West Margaree River, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5196
Mouth of Ingonish River, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5164
Entrance to Ingonish River, Cape Breton, NS, about 1914
Wm. Notman & Son
About 1914
VIEW-5162
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.