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Gelatin silver glass plate negative
Sir Charles Gordon (?), painting, copied, 1928
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1928
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
Origin
Canada
Object NumberVIEW-24427
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Sir Charles Gordon (?), painting, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24406
Sir Charles Gordon (?), painting, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24466
Sir Charles Gordon (?), painting, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24467
Miss Franks, painting by Sir Joshua Reynolds, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24403
Miss Franks, painting by Sir Joshua Reynolds, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24402
Sir Charles Blair Gordon, copied in 1929
Inconnu / Unknown
Copied in 1929
II-292627.0
Sir Frederick Williams-Taylor, painting by Alphonse Jongers, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24286
Sir F. Williams-Taylor, painting by Alphonse Jongers, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24288
Two women, painting by Charles-Ernest De Belle, copied 1920-21
Wm. Notman & Son Ltd.
Copied in 1920-1921
VIEW-19728.0
Two seated young women, painting by Charles-Ernest De Belle, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19716
Portrait of an unidentified man, painting by Joseph-Charles Franchère, 1919, copied for Mr. St. Pierre
Wm. Notman & Son Ltd.
1921
VIEW-19948
Portrait of an unidentified man, painting by Joseph-Charles Franchère, 1919, copied for Mr. St. Pierre
Wm. Notman & Son Ltd.
1921
VIEW-19948.A
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.