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Gelatin silver glass plate negative
Miss Franks, painting by Sir Joshua Reynolds, copied 1928
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1928
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
Origin
Canada
Object NumberVIEW-24403
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Miss Franks, painting by Sir Joshua Reynolds, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24402
Portrait of a woman, painting by Sir Joshua Reynolds, copied for Century Magazine 1913
Wm. Notman & Son
1913
VIEW-12950
Warren Hastings, painting by Sir Joshua Reynolds, copied for Dr. D. Sclater Lewis, 1936
Wm. Notman & Son Ltd.
1936
VIEW-25951
Sir Thomas Mills. Knight, painting by Sir Joshua Reynolds, copied between 1900 and 1925
Sir Joshua Reynolds
1900-1925
M2684
Portrait of a girl, painting by Sir Joshua Reynold, copied for Century Magazine 1912
Wm. Notman & Son
1912
VIEW-12579
Portrait of a woman, painting by Sir Joshua Reynold, copied for Century Magazine 1912
Wm. Notman & Son
1912
VIEW-12578
Sir Charles Gordon (?), painting, copied, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24427
Sir Charles Gordon (?), painting, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24406
Sir Charles Gordon (?), painting, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24466
Sir Charles Gordon (?), painting, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24467
Sir Frederick Williams-Taylor, painting by Alphonse Jongers, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24286
Sir F. Williams-Taylor, painting by Alphonse Jongers, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24288
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.