Skip to main contentGelatin silver glass plate negative - Sicamous Lake, early morning, BC, 1889 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Image Not Availablefor Le lac Sicamous à l'aube, C.-B., 1889
Gelatin silver glass plate negative
Sicamous Lake, early morning, BC, 1889
Photographer
William McFarlane Notman
(1857-1913)
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureL. r. imprinted (decal) within image, WM. NOTMAN & SON, PHOTO., MONTREAL.
Date
1889
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.2 x 25.5 cm
Origin
Canada
Object NumberVIEW-2126
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Sicamous Lake above Narrows, BC, 1889
William McFarlane Notman
1889
VIEW-2123
Sicamous Lake on the C.P.R., BC, 1889
William McFarlane Notman
1889
VIEW-2125
Sicamous Lake from Narrows bridge, BC, 1889
William McFarlane Notman
1889
VIEW-2124
Sicamous Lake on the C.P.R., BC, 1889
William McFarlane Notman
1889
VIEW-2127
Early morning, Emerald Lake, BC, 1904
William McFarlane Notman
1904-1930
VIEW-3827.0
Early morning on Folly Lake, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8296
Shuswap Lake on the C.P.R., near Sicamous, BC, 1889, copied ca.1902
American Museum of Natural History - Department of Public Instruction
About 1902
N-0000.25.1056
Emerald Lake, BC, 1889
William McFarlane Notman
Copied in 1890-1930
VIEW-2079.0
Emerald Lake on the C.P.R., BC, 1889
William McFarlane Notman
1889
VIEW-2078
Emerald Lake, Yoho Park, BC, 1889
William McFarlane Notman
1889
VIEW-2077
Mount Burgess, Emerald Lake, BC, 1889
William McFarlane Notman
1889
VIEW-2081
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.