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Gelatin silver glass plate negative
Landscape, painting by William Brymner, copied 1918-20
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1918-1920
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.2 x 25.3 cm
Origin
Canada
Object NumberVIEW-17960
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Landscape, 1913, painting by and copied for William Brymner, copied 1916
Wm. Notman & Son
1916
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Landscape, painting by William Brymner, 1907, copied in 1925 for Watson Art Gallery
Wm. Notman & Son Ltd.
1925
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Landscape, painting by William Brymner, 1914, copied for Art Gallery
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Landscape, painting by Percy Franklin Woodcock, copied 1918-20
Wm. Notman & Son
1918-1920
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Historical scene, 1911, painting by and copied for William Brymner
Wm. Notman & Son
1916
VIEW-15534
Girl with dog on beach, painting by William Brymner, 1903, copied for Watson Art Gallery
Wm. Notman & Son Ltd.
1925
VIEW-23425
Waterscape, painting by William Brymner, copied for Watson Art Gallery 1925
Wm. Notman & Son Ltd.
1925
VIEW-23426
Woman at loom, painting by William Brymner, copied for Watson Art Gallery,1925
Wm. Notman & Son Ltd.
1925
VIEW-23427
House next to a river, painting by William Brymner, copied for Watson Art Gallery 1925
Wm. Notman & Son Ltd.
1925
VIEW-23428
Waterscape, painting by William Brymner, copied for Art Gallery 1915
Wm. Notman & Son
1915
VIEW-15015
Sunset at Louisburg, NS, painting by William Brymner, 1916
Wm. Notman & Son
1916
VIEW-16302
Landscape, painting by Corot, copied for H. Drummond 1919-20
Wm. Notman & Son
1919-1920
VIEW-18280
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.