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Gelatin silver glass plate negative
Tobogganing on Mount Royal Park slide, Montreal, QC, 1885
Painter
Eugène L'Africain
(1859-1892)
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureL. l. within image, Wm Notman & Son 1885; l. r. within image, Eug. L'Africain
Date
1887
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.1 x 25.4 cm
Origin
Montreal, Quebec, Canada
Object NumberVIEW-1582
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Tobogganing on Mount Royal Park slide, Montreal, QC, 1885, copied ca.1902
Eugène L'Africain
About 1902
N-0000.25.1082
Tobogganing "The race", Montreal, QC, composite photograph, 1886
Eugène L'Africain
1886
VIEW-1921
"The Spill", tobogganing composite, 1889
Eugène L'Africain
1889/01/28
II-88779
Officers of the 6th Fusiliers, composite, 1885
Eugène L'Africain
1885/08/19
II-102188.0
Tobogganing slide, Mount Royal Park, Montreal, QC, about 1884
Wm. Notman & Son
About 1884
VIEW-1483
Red Cap Snowshoe Club, Halifax, NS, composite, 1885
Eugène L'Africain
1909-1910
VIEW-8968.0
The Bounce, Montreal Snowshoe Club, QC, composite, 1886
Eugène L'Africain
1886/01/13
II-79323
Mrs. Watson's class, Montreal, QC, composite, 1882
Eugène L'Africain
1882/05
II-65113
Carnival, Montreal, QC, painting by P. Eugène L'Africain, 1883
Eugène L'Africain
1883/03/10
II-68668
Canadian Pacific Railway bridge at Lachine, QC, painted photograph, 1888
Eugène L'Africain
1888/11/23
II-88126
F. Wolferston Thomas, painted photograph, about 1884, copied in 1918
Eugène L'Africain
1918
II-224632
Toboggan Race, composite, copied 1891
Eugène L'Africain
1891/01/06
II-94198
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.