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Gelatin silver glass plate negative
Miss M. Keely, Montreal, QC, 1928
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1928
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions21.6 x 16.5 cm
Origin
Montreal, Quebec, Canada
Object NumberII-285328
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Miss H. Cassils, Montreal, QC, 1928
Wm. Notman & Son Ltd.
1928/03
II-283703
Miss E. Burns, Montreal, QC, 1928
Wm. Notman & Son Ltd.
1928
II-283777
Miss Eileen Peters costumed as “A Society Lady of the 1780s,” Montreal, Quebec, 1928
Wm. Notman & Son Ltd.
1928
II-282443
Miss Eileen Peters costumed as "A Society Lady of the 1780s," for the 1927 Quebec City Historical Ball, Montreal, Quebec, 1928
Wm. Notman & Son Ltd.
1928
II-282444
Immigrants, painting by and photographed for Miss Prudence Heward, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24424
Girl on a hill, painting by and copied for Miss Prudence Heward, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24425
William Budden (1764-1843), painting photographed for Miss Budden in 1928
Wm. Notman & Son Ltd.
1928
VIEW-24437
William Budden (1793-1834), painting photographed for Miss Budden in 1928
Wm. Notman & Son Ltd.
1928
VIEW-24436
Miss Franks, painting by Sir Joshua Reynolds, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24403
Miss Franks, painting by Sir Joshua Reynolds, copied 1928
Wm. Notman & Son Ltd.
1928
VIEW-24402
Portrait of an unidentified woman, painting, copied for Miss Darling, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24454
Trafalgar Institute dramatic group, Montreal, QC, 1928
Wm. Notman & Son Ltd.
1931
II-299598
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.