Skip to main contentGelatin silver glass plate negative - H. D. Reid's automobile at Cabot Tower, Signal Hill, St. John's, NL, 1908 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
H. D. Reid's automobile at Cabot Tower, Signal Hill, St. John's, NL, 1908
Photographer
William McFarlane Notman
(1857-1913)
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1908/09/26
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.3 x 25.4 cm
Origin
Canada
Object NumberII-170800
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
H. D. Reid's automobile at Cabot Tower, Signal Hill, St. John's, NL, 1908
William McFarlane Notman
1908/09/26
II-170799
St. John's from Signal Hill, NF, 1908
William McFarlane Notman
1908
VIEW-4521
St. John's from Signal Hill, NF, 1908
William McFarlane Notman
1908
VIEW-4522.C
St. John's from Signal Hill, NF, 1908
William McFarlane Notman
1908
VIEW-4522.B
St. John's from Signal Hill, NF, 1908
William McFarlane Notman
1908
VIEW-4522.A
St. John's from Signal Hill, NF, 1908
William McFarlane Notman
1908
VIEW-4521.A
Tower on Signal Hill, St. John's, NL, 1924-1927
Frederick W. Berchem
1924-1927
MP-1984.126.2.147
View from The Battery, below Signal Hill, St. John's, NL, about 1900
Inconnu / Unknown
About 1900
MP-0000.25.362
Looking out of harbour, St. John's, NF, 1908
William McFarlane Notman
1909?
VIEW-4523.0
Reid's Wharf, Summerside, PE, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8239
Miss Reid's horses and carriage, Drummond Street, Montreal, QC, 1911
Wm. Notman & Son
1911
II-188119
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.