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Cartoon - Complete Protection | McCord Museum
Protection totale
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Protection totale
Protection totale

Cartoon

Complete Protection
Artist (Né / Born 1945)
SignatureL. r. within image, S. Chapleau 93
Date 1993
Medium / Technique Graphite on paper
Dimensions43.3 x 35.5 cm
Origin Montreal, Quebec, Canada
Object NumberM996.10.423
CollectionMcCord
CreditGift of Serge Chapleau
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Complete List of Pierre Pascau's Reasons for Quitting...
Complete List of Pierre Pascau's Reasons for Quitting...
Serge Chapleau
1990
m996.10.200
Sheila Copps and the Cultural Protection Movement
Sheila Copps and the Cultural Protection Movement
Serge Chapleau
1998
M2000.93.218
The Defoliation Isn't Complete.
The Defoliation Isn't Complete.
John Collins
About 1964
M965.199.2827
"Complete Exchange of Views".
"Complete Exchange of Views".
John Collins
About 1961
M965.199.3676
What It Takes to Complete the Pictures.
What It Takes to Complete the Pictures.
John Collins
About 1955
M965.199.711
Complete with Smoke Screen.
Complete with Smoke Screen.
John Collins
About 1950
M965.199.299
Can He Complete the Pass ?.
Can He Complete the Pass ?.
John Collins
1954
M965.199.9863
A Good Trick If He Can Complete It.
A Good Trick If He Can Complete It.
John Collins
About 1957
M965.199.6268
The Too-Complete Angler.
The Too-Complete Angler.
John Collins
About 1946
M965.199.438
Complete at Last.
Complete at Last.
John Collins
1945
M965.199.4577
Larry Smith: “The important thing is the world, not the protection of francophone Quebecers. That’s a thing of the past”
Larry Smith: “The important thing is the world, not the protection of francophone Quebecers. That’s a thing of the past”
Garnotte
2011
M2015.124.63
British Protection
British Protection
Arthur George Racey
1914
M2005.23.324

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.