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Cartoon - After His Scalp. | McCord Museum
Les Indiens attaquent
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Les Indiens attaquent

Cartoon

After His Scalp.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1950
Medium / Technique Ink and graphite on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.9813
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
His Bark Is Worse than His Bite.
His Bark Is Worse than His Bite.
John Collins
About 1953
M965.199.5359
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4288
Keeping His Bark Worse Than His Bits.
Keeping His Bark Worse Than His Bits.
John Collins
About 1970
M965.199.5782
Taking His Mind Off His Work ?.
Taking His Mind Off His Work ?.
John Collins
1940/01/24
M965.199.1979
Grown too Big for His Britches.
Grown too Big for His Britches.
John Collins
About 1949
M965.199.9997
His Voice is Changing.
His Voice is Changing.
John Collins
About 1949
M965.199.10110

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.