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Cartoon - The Descent from the Summit. | McCord Museum
La descente du Sommet
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La descente du Sommet

Cartoon

The Descent from the Summit.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.2 cm
Origin Canada
Object NumberM965.199.8682
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
An Early Descent Doesn't Seem to Be One of Our Problems.
An Early Descent Doesn't Seem to Be One of Our Problems.
John Collins
About 1968
M965.199.6688
The Descent from Sinai.
The Descent from Sinai.
John Collins
About 1957
M965.199.521
Getting Ready for the Summit.
Getting Ready for the Summit.
John Collins
About 1960
M965.199.8917
Studying Conditions at the Summit.
Studying Conditions at the Summit.
John Collins
About 1955
M965.199.2490
Dressing for the Summit.
Dressing for the Summit.
John Collins
About 1960
M965.199.3881
To the Summit.
To the Summit.
John Collins
About 1956
M965.199.8134
The Road to the Summit.
The Road to the Summit.
John Collins
About 1958
M965.199.6201
Training for the Summit.
Training for the Summit.
John Collins
About 1961
M965.199.9000
Speaking of Talks at the Summit.
Speaking of Talks at the Summit.
John Collins
About 1956
M965.199.8729
Suggestion for the Next Summit Meeting
Suggestion for the Next Summit Meeting
John Collins
1961
M965.199.3737
The Presentation. From "The Descent from the Cross"
The Presentation. From "The Descent from the Cross"
Anonymous
About 1850
M932.8.1.66
The Visitation. From "The Descent from the Cross"
The Visitation. From "The Descent from the Cross"
Anonymous
About 1850
M932.8.1.65

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.