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Cartoon - The Agony and the Ecstasy. | McCord Museum
L'extase et l'agonie
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L'extase et l'agonie

Cartoon

The Agony and the Ecstasy.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1963
Medium / Technique Ink, coloured pencil, opaque white on Paper mounted on cardboard
Dimensions35.8 x 27.8 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.808
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Agony
Agony
Serge Chapleau
2001
M2003.143.85
The Agony in the Garden, painting photographed in 1867
The Agony in the Garden, painting photographed in 1867
William Notman
1867
I-25965.1
Ghost Writers in the Sky.
Ghost Writers in the Sky.
John Collins
About 1963
M965.199.809
Joan of Arc and the Voices.
Joan of Arc and the Voices.
John Collins
About 1963
M965.199.810
"Better Call It Off Before Someone Gets Hurt".
"Better Call It Off Before Someone Gets Hurt".
John Collins
About 1963
M965.199.813
The Higher You Go the Harder it is to Come Down to Earth.
The Higher You Go the Harder it is to Come Down to Earth.
John Collins
1963
M965.199.7110
HAL owe'en.
HAL owe'en.
John Collins
1964
M965.199.2710
Merry Christmas From All of Us Who Put Out Your Newspaper.
Merry Christmas From All of Us Who Put Out Your Newspaper.
John Collins
1967
M965.199.2723
Casts a Long Shadow.
Casts a Long Shadow.
John Collins
1963
M965.199.2739
Moment of Truth.
Moment of Truth.
John Collins
About 1963
M965.199.2771
That Camouflage Isn't Fooling Anyone, Joe.
That Camouflage Isn't Fooling Anyone, Joe.
John Collins
About 1950
M965.199.7642
Out of the Mothballs.
Out of the Mothballs.
John Collins
About 1950
M965.199.7640

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.