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Cartoon - That Camouflage Isn't Fooling Anyone, Joe. | McCord Museum
Ce camouflage ne berne personne, Joe
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Ce camouflage ne berne personne, Joe

Cartoon

That Camouflage Isn't Fooling Anyone, Joe.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1950
Medium / Technique Ink, coloured pencil, printed film, opaque white on Paper
Dimensions36.8 x 29.5 cm
Origin Canada
Object NumberM965.199.7642
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
No Fooling ?.
No Fooling ?.
John Collins
1960/04/01
M965.199.2397
Maybe this Time He's Not April Fooling.
Maybe this Time He's Not April Fooling.
John Collins
About 1955
M965.199.710
Camouflage.
Camouflage.
John Collins
1941/03/28
M965.199.3072
"Frankly, this Isn't Quite what I Had in Mind".
"Frankly, this Isn't Quite what I Had in Mind".
John Collins
1963
M965.199.7259
"Doesn't Anyone Give a Dam ?".
"Doesn't Anyone Give a Dam ?".
John Collins
About 1956
M965.199.1018
"Did Anyone Hear Thunder ?".
"Did Anyone Hear Thunder ?".
John Collins
1967
M965.199.6508
Centennial Projects, Anyone ?.
Centennial Projects, Anyone ?.
John Collins
1967
M965.199.5936
Anyone for Boxing ?
Anyone for Boxing ?
Frank Duggan
About 1941-1955
M2001.74.68
Anyone for Boxing ?
Anyone for Boxing ?
Frank Duggan
About 1941-1955
M2001.74.63
It Isn't Exactly the Alps, Pierre.
It Isn't Exactly the Alps, Pierre.
John Collins
About 1970
M965.199.6429
You Never Appreciate a Policeman-Until He Isn't There !.
You Never Appreciate a Policeman-Until He Isn't There !.
John Collins
About 1947
M965.199.226
The Little Men Who Isn't There-Officially.
The Little Men Who Isn't There-Officially.
John Collins
About 1953
M965.199.6093

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.