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Cartoon - Still No.1 on the Hit Parade. | McCord Museum
Toujours no 1 au palmarès
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Toujours no 1 au palmarès

Cartoon

Still No.1 on the Hit Parade.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1948
Medium / Technique Ink and graphite on paper
Dimensions36.9 x 29.3 cm
Origin Canada
Object NumberM965.199.3862
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
No.1 on the Hit Parade this Month.
No.1 on the Hit Parade this Month.
John Collins
About 1960
M965.199.3904
No.1 on the Hit Parade !.
No.1 on the Hit Parade !.
John Collins
About 1945
M965.199.4232
A New Number on the Hit Parade.
A New Number on the Hit Parade.
John Collins
1944/03/28
M965.199.2337
Still Trying to Hit the Right Note.
Still Trying to Hit the Right Note.
John Collins
About 1946
M965.199.77
Still No.1 on the List.
Still No.1 on the List.
John Collins
About 1948
M965.199.23
Tops on the Hit Parade
Tops on the Hit Parade
Frank Duggan
1958
M2001.74.82
The Do-It-Yourself Fad Hits the Middle East.
The Do-It-Yourself Fad Hits the Middle East.
John Collins
1956
M965.199.1031
Rock n'Roll Hits Britain.
Rock n'Roll Hits Britain.
John Collins
1956
M965.199.1072
If that Fancy Vest Style Hits Ottawa.
If that Fancy Vest Style Hits Ottawa.
John Collins
About 1953
M965.199.9485
Hard to Hit One Without Arousing the Other.
Hard to Hit One Without Arousing the Other.
John Collins
About 1960
M965.199.3974
Easiest Thing in the World to Hit-But Look Who Profits.
Easiest Thing in the World to Hit-But Look Who Profits.
John Collins
About 1958
M965.199.6326
How Hard Are We Going to Get Hit ?.
How Hard Are We Going to Get Hit ?.
John Collins
About 1951
M965.199.8266

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.