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Cartoon - "And How Are Things With You ?". | McCord Museum
Et toi, comment vas-tu?
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Et toi, comment vas-tu?

Cartoon

"And How Are Things With You ?".
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1963
Medium / Technique Ink, coloured pencil on Paper
Dimensions36.4 x 29.1 cm
Origin Canada
Object NumberM965.199.7272
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
How Well You Put Things, Nikita !.
How Well You Put Things, Nikita !.
John Collins
About 1959
M965.199.5022
How Well You Put Things, Lester.
How Well You Put Things, Lester.
John Collins
About 1965
M965.199.1475
When You Try Doing Things Around the House.
When You Try Doing Things Around the House.
John Collins
1963
M965.199.2742
"Things Look So Normal Here".
"Things Look So Normal Here".
John Collins
1963
M965.199.7289
The Shape of Things to Come.
The Shape of Things to Come.
John Collins
1963
M965.199.7188
"I Still Have a Few Things in the Fire".
"I Still Have a Few Things in the Fire".
John Collins
About 1963
M965.199.7253
Trying to Warm Things Up a Bit.
Trying to Warm Things Up a Bit.
John Collins
About 1960
M965.199.8955
Things Look Different Backstage.
Things Look Different Backstage.
John Collins
About 1952
M965.199.5518
Things Will Be Different in the Second Half.
Things Will Be Different in the Second Half.
John Collins
1958
M965.199.6253
Not the Way to Clear Things Up.
Not the Way to Clear Things Up.
John Collins
About 1957
M965.199.8511
Shape of Things to Come ?.
Shape of Things to Come ?.
John Collins
About 1954
M965.199.7545
Things Aren't So One-Sided Any More.
Things Aren't So One-Sided Any More.
John Collins
About 1949
M965.199.7971

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.