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Cartoon - Trouble in the Opposition Corner. | McCord Museum
Des problèmes dans le coin de l'opposition
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Des problèmes dans le coin de l'opposition

Cartoon

Trouble in the Opposition Corner.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1962
Medium / Technique Ink, blue pencil and opaque white pigment on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.7007
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Doubles Troubles.
Doubles Troubles.
John Collins
About 1963
M965.199.7274
Troubles of a Lifeguard.
Troubles of a Lifeguard.
John Collins
About 1963
M965.199.7306
The Four Corners of the Earth.
The Four Corners of the Earth.
John Collins
About 1963
M965.199.7107
Trouble in the Little Red Schoolhouse.
Trouble in the Little Red Schoolhouse.
John Collins
About 1956
M965.199.1057
Trouble in the Huddle.
Trouble in the Huddle.
John Collins
About 1953
M965.199.9487
He'll Have Trouble Getting that One Mounted.
He'll Have Trouble Getting that One Mounted.
John Collins
About 1951
M965.199.7665
Having Trouble with the Cold War Team.
Having Trouble with the Cold War Team.
John Collins
About 1952
M965.199.5557
The Trouble with Siamese Twins.
The Trouble with Siamese Twins.
John Collins
About 1949
M965.199.1388
Trouble in the Harem.
Trouble in the Harem.
John Collins
About 1957
M965.199.1304
As If We Didn't Have Troubles Enough.
As If We Didn't Have Troubles Enough.
John Collins
1948-1949
M965.199.9856
The Trouble with Eggheads.
The Trouble with Eggheads.
John Collins
About 1958
M965.199.1270
Trouble in the Little Red Schoolhouse.
Trouble in the Little Red Schoolhouse.
John Collins
About 1949
M965.199.8058

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.