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Cartoon - Trouble in the Harem. | McCord Museum
Des problèmes dans le harem
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Des problèmes dans le harem

Cartoon

Trouble in the Harem.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1957
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.1 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1304
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trouble in the Harem.
Trouble in the Harem.
John Collins
About 1956
M965.199.5390
Trouble in the Little Red Schoolhouse.
Trouble in the Little Red Schoolhouse.
John Collins
About 1956
M965.199.1057
Trouble in the Huddle.
Trouble in the Huddle.
John Collins
About 1953
M965.199.9487
He'll Have Trouble Getting that One Mounted.
He'll Have Trouble Getting that One Mounted.
John Collins
About 1951
M965.199.7665
Having Trouble with the Cold War Team.
Having Trouble with the Cold War Team.
John Collins
About 1952
M965.199.5557
The Trouble with Siamese Twins.
The Trouble with Siamese Twins.
John Collins
About 1949
M965.199.1388
As If We Didn't Have Troubles Enough.
As If We Didn't Have Troubles Enough.
John Collins
1948-1949
M965.199.9856
The Trouble with Eggheads.
The Trouble with Eggheads.
John Collins
About 1958
M965.199.1270
Trouble in the Little Red Schoolhouse.
Trouble in the Little Red Schoolhouse.
John Collins
About 1949
M965.199.8058
Having Trouble Making Him Walk the Plank.
Having Trouble Making Him Walk the Plank.
John Collins
1961
M965.199.8983
Double Trouble.
Double Trouble.
John Collins
About 1945
M965.199.2522
Sounds Like the Other Entry is Having Trouble Too.
Sounds Like the Other Entry is Having Trouble Too.
John Collins
About 1951
M965.199.7667

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.