Skip to main content
Collections Menu
Cartoon - Always Beat Us to the Drew. | McCord Museum
Le tireur de l'Est
View PDF
Le tireur de l'Est

Cartoon

Always Beat Us to the Drew.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1958
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.3 cm
Origin Canada
Object NumberM965.199.6168
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Fellow Who Shakes the Tree Doesn't Always Get the Fruit
The Fellow Who Shakes the Tree Doesn't Always Get the Fruit
John Collins
About 1959
M965.199.5026
Always Feel the Squeeze.
Always Feel the Squeeze.
John Collins
About 1950
M965.199.307
It's Always Hard to Find an Encore.
It's Always Hard to Find an Encore.
John Collins
1962
M965.199.3532
Always in the Way.
Always in the Way.
John Collins
About 1952
M965.199.8823
Always Forgets to Raise the Anchor.
Always Forgets to Raise the Anchor.
John Collins
About 1952
M965.199.5454
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Always Gets the Joker.
Always Gets the Joker.
John Collins
About 1951
M965.199.8279
The Big Ones Always Seem to Get Away.
The Big Ones Always Seem to Get Away.
John Collins
About 1951
M965.199.7811
The Way that Handshake Always Seems to End.
The Way that Handshake Always Seems to End.
John Collins
About 1960
M965.199.9145
Always a String Attached.
Always a String Attached.
John Collins
About 1953
M965.199.9473
Where It Always Ends.
Where It Always Ends.
John Collins
About 1948
M965.199.8209
Always a Bridesmaid-.
Always a Bridesmaid-.
John Collins
About 1948
M965.199.8240

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.