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Cartoon - Only Hooking His Own Pocketbook. | McCord Museum
Tel est pris qui croyait prendre
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Tel est pris qui croyait prendre

Cartoon

Only Hooking His Own Pocketbook.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1950
Medium / Technique Ink, coloured pencil on Paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.5400
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Each in His Own Image.
Each in His Own Image.
John Collins
About 1964
M965.199.2705
The Lifeguard Can Barely Keep His Own Head.
The Lifeguard Can Barely Keep His Own Head.
John Collins
About 1960
M965.199.10107
But Now He Has to Learn to Stand on His Own Feet.
But Now He Has to Learn to Stand on His Own Feet.
John Collins
1947
M965.199.232
Standing On His Own Feet Now.
Standing On His Own Feet Now.
John Collins
1949
M965.199.644
Wants to Paddle His Own Canoe.
Wants to Paddle His Own Canoe.
John Collins
About 1948
M965.199.5971
This Samson Seems to Be Cutting His Own Hair.
This Samson Seems to Be Cutting His Own Hair.
John Collins
About 1950
M965.199.5960
Wants to Paddle His Own Canoe.
Wants to Paddle His Own Canoe.
John Collins
About 1948
M965.199.5991
Right in His Own Backyard.
Right in His Own Backyard.
John Collins
About 1960
M965.199.8935
Right in his Own Backyard.
Right in his Own Backyard.
John Collins
About 1960
M965.199.3970
Picking His Own Pocket.
Picking His Own Pocket.
John Collins
About 1946
M965.199.2869
Helping His Own Worst Enemy.
Helping His Own Worst Enemy.
John Collins
About 1953
M965.199.6091
Trying to Disown His Own Offspring.
Trying to Disown His Own Offspring.
John Collins
About 1960
M965.199.3953

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.