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Cartoon - Don't Fence Me In !. | McCord Museum
Pris entre deux feux !
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Pris entre deux feux !

Cartoon

Don't Fence Me In !.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1945
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions38.1 x 28.2 cm
Origin Canada
Object NumberM965.199.4694
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"Don't Fence Me In !".
"Don't Fence Me In !".
John Collins
About 1945
M965.199.4370
"Don't Fence Me In".
"Don't Fence Me In".
John Collins
About 1966
M965.199.754
"Don't Rush Me".
"Don't Rush Me".
John Collins
About 1966
M965.199.814
"Why, Don't You Trust Me ?".
"Why, Don't You Trust Me ?".
John Collins
About 1964
M965.199.2807
Still Sitting on the Fence.
Still Sitting on the Fence.
John Collins
About 1939
M965.199.4057
Ten Little Neutrals Sitting on the Fence.
Ten Little Neutrals Sitting on the Fence.
John Collins
1940/05/08
M965.199.1788
Looks Greener on the Other Side of the Fence.
Looks Greener on the Other Side of the Fence.
John Collins
About 1955
M965.199.9111
Depends on Which Side of the Fence You're On.
Depends on Which Side of the Fence You're On.
John Collins
About 1956
M965.199.369
The Grass on the Other Side of the Fence.
The Grass on the Other Side of the Fence.
John Collins
About 1947
M965.199.554
A Little Fence Straightening Might Help.
A Little Fence Straightening Might Help.
John Collins
About 1960
M965.199.3960
The Green Stuff on the Other Side of the Fence.
The Green Stuff on the Other Side of the Fence.
John Collins
About 1966
M965.199.889
Looks Different on the Other Side on the Fence.
Looks Different on the Other Side on the Fence.
John Collins
About 1956
M965.199.5394

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.