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Cartoon - Ten Little Neutrals Sitting on the Fence. | McCord Museum
Dix petits neutres assis entre deux chaises
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Dix petits neutres assis entre deux chaises

Cartoon

Ten Little Neutrals Sitting on the Fence.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1940/05/08
Medium / Technique Ink, crayon, opaque white pigment and graphite on card
Dimensions38.2 x 28.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1788
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Still Sitting on the Fence.
Still Sitting on the Fence.
John Collins
About 1939
M965.199.4057
Ten Little Indians.
Ten Little Indians.
John Collins
About 1961
M965.199.9365
Ten Little Indians.
Ten Little Indians.
John Collins
About 1963
M965.199.2741
"Don't Fence Me In !".
"Don't Fence Me In !".
John Collins
About 1945
M965.199.4370
A Little Fence Straightening Might Help.
A Little Fence Straightening Might Help.
John Collins
About 1960
M965.199.3960
"Now they Want Ten Triggers ?".
"Now they Want Ten Triggers ?".
John Collins
About 1965
M965.199.1521
"Don't Fence Me In".
"Don't Fence Me In".
John Collins
About 1966
M965.199.754
The Green Stuff on the Other Side of the Fence.
The Green Stuff on the Other Side of the Fence.
John Collins
About 1966
M965.199.889
Depends on Which Side of the Fence You're On.
Depends on Which Side of the Fence You're On.
John Collins
About 1956
M965.199.369
Looks Different on the Other Side on the Fence.
Looks Different on the Other Side on the Fence.
John Collins
About 1956
M965.199.5394
No Longer Sitting Pretty.
No Longer Sitting Pretty.
John Collins
1940/05/28
M965.199.1805
Don't Fence Me In !.
Don't Fence Me In !.
John Collins
1945
M965.199.4694

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.