Skip to main content
Collections Menu
Cartoon - Watching Him Beat Swords into Plowshares. | McCord Museum
Reconversion
View PDF
Reconversion

Cartoon

Watching Him Beat Swords into Plowshares.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1945
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions38.2 x 28.5 cm
Origin Canada
Object NumberM965.199.4561
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"Swords into Plowshares Had Nothing on This".
"Swords into Plowshares Had Nothing on This".
John Collins
About 1968
M965.199.6521
Three swords of Damocles for the CEQ-CSN-FTQ common front
Three swords of Damocles for the CEQ-CSN-FTQ common front
Garnotte
1997
M2007.69.164
Trying to Beat Him at His Own Game.
Trying to Beat Him at His Own Game.
John Collins
About 1958
M965.199.6296
New Cop on the Beat.
New Cop on the Beat.
John Collins
1945
M965.199.4472
Sword of Damocles-1941.
Sword of Damocles-1941.
John Collins
1941/07/09
M965.199.3153
The Pen Mightier than the Sword ?.
The Pen Mightier than the Sword ?.
John Collins
About 1944
M965.199.4669
"They That Take the Sword...".
"They That Take the Sword...".
John Collins
1944
M965.199.5690
Watching the Bases.
Watching the Bases.
John Collins
1942/04/21
M965.199.3344
Still Needs Watching.
Still Needs Watching.
John Collins
1945
M965.199.4467
Uno Who's Attempts to Beat the Postal Increase.
Uno Who's Attempts to Beat the Postal Increase.
John Collins
About 1954
M965.199.7585
Always Beat Us to the Drew.
Always Beat Us to the Drew.
John Collins
About 1958
M965.199.6168
"I Think A Heard a Beat".
"I Think A Heard a Beat".
John Collins
About 1961
M965.199.3696

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.