Skip to main content
Collections Menu
Cartoon - We Can't Relax Our Grip. | McCord Museum
Il faut garder la main ferme
View PDF
Il faut garder la main ferme

Cartoon

We Can't Relax Our Grip.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1945
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions35.9 x 28.8 cm
Origin Canada
Object NumberM965.199.4385
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
We've Landed But We Can't Let Down our Guard.
We've Landed But We Can't Let Down our Guard.
John Collins
About 1944
M965.199.4593
"Can't We Talk This Over ?".
"Can't We Talk This Over ?".
John Collins
1941/11/27
M965.199.3266
We Can't Let Them Down.
We Can't Let Them Down.
John Collins
1943/06/17
M965.199.2117
At Grips.
At Grips.
John Collins
About 1944
M965.199.4791
We Can Dream, Can't We ?.
We Can Dream, Can't We ?.
John Collins
1953
M965.199.2987
We Can Dream Can't We ?.
We Can Dream Can't We ?.
John Collins
About 1949
M965.199.8447
Relax, Kids-Meet the Champs.
Relax, Kids-Meet the Champs.
John Collins
About 1962
M965.199.7049
We Can't Let the Big One Get Away.
We Can't Let the Big One Get Away.
John Collins
About 1957
M965.199.6375
"We Can't See the Dove for the the Dragon".
"We Can't See the Dove for the the Dragon".
John Collins
About 1955
M965.199.7927
Too Bad We Can't Have Shots for This, Too
Too Bad We Can't Have Shots for This, Too
John Collins
About 1959
M965.199.6054
Somehow We Can't Help Thinking of Frankenstein.
Somehow We Can't Help Thinking of Frankenstein.
John Collins
About 1949
M965.199.8420
"Why Can't We Play Overtime ?".
"Why Can't We Play Overtime ?".
John Collins
About 1964
M965.199.1662

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.