Skip to main content
Collections Menu
Cartoon - Somehow We Can't Help Thinking of Frankenstein. | McCord Museum
Difficile de ne pas penser à Frankenstein
Difficile de ne pas penser à Frankenstein

Cartoon

Somehow We Can't Help Thinking of Frankenstein.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.8420
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Can't Help Dreaming.
Can't Help Dreaming.
John Collins
1940-1944
M965.199.265
Frankenstein.
Frankenstein.
John Collins
About 1962
M965.199.8313
Ottawa Frankenstein.
Ottawa Frankenstein.
John Collins
About 1950
M965.199.5305
Frankenstein.
Frankenstein.
John Collins
1942/04/22
M965.199.3345
We Can Dream, Can't We ?.
We Can Dream, Can't We ?.
John Collins
1953
M965.199.2987
We Can Dream Can't We ?.
We Can Dream Can't We ?.
John Collins
About 1949
M965.199.8447
Somehow They Always End Up the Same Way.
Somehow They Always End Up the Same Way.
John Collins
About 1969
M965.199.6956
Somehow It'll Never Be the Same.
Somehow It'll Never Be the Same.
John Collins
1967
M965.199.9242
Somehow that Tide Doesn't Seem to be Turning.
Somehow that Tide Doesn't Seem to be Turning.
John Collins
About 1969
M965.199.6909
We Can't Let the Big One Get Away.
We Can't Let the Big One Get Away.
John Collins
About 1957
M965.199.6375
"We Can't See the Dove for the the Dragon".
"We Can't See the Dove for the the Dragon".
John Collins
About 1955
M965.199.7927
Too Bad We Can't Have Shots for This, Too
Too Bad We Can't Have Shots for This, Too
John Collins
About 1959
M965.199.6054

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.