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Cartoon - '' ...Look at Who's Finally Peaked..." | McCord Museum
Tiens, tiens, regarde qui est finalement en train de redescendre?
Tiens, tiens, regarde qui est finalement en train de redescendre?
Tiens, tiens, regarde qui est finalement en train de redescendre?

Cartoon

'' ...Look at Who's Finally Peaked..."
Artist (Né / Born 1942)
SignatureL.l., Aislin '91 Montreal Gazette
Date 1991
Medium / Technique Ink, felt pen and opaque white pigment on paper
Dimensions28.0 x 28.5 cm
Origin Montreal, Quebec, Canada
Object NumberM999.65.19
CollectionMcCord
CreditGift of Terry Mosher (Aislin)

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Look Who's Right in Style.
Look Who's Right in Style.
John Collins
About 1958
M965.199.6183
Look Who's Talking.
Look Who's Talking.
John Collins
About 1967
M965.199.6450
Look Who's Talking.
Look Who's Talking.
John Collins
About 1949
M965.199.7878
Look Who's Talking.
Look Who's Talking.
John Collins
About 1946
M965.199.2868
Look Who's Talking about Swearing Off.
Look Who's Talking about Swearing Off.
John Collins
About 1962
M965.199.3716
Back to School: Look Who's Groaning
Back to School: Look Who's Groaning
Serge Chapleau
2001
M2002.131.29
Look Who's Topping Jade
Look Who's Topping Jade
Georgine Strathy
1965
M2017.118.459
Finally Taking a Look at the Reindeer.
Finally Taking a Look at the Reindeer.
John Collins
About 1954
M965.199.7955
"Who's Afraid of the Big Bad Bear ?".
"Who's Afraid of the Big Bad Bear ?".
John Collins
About 1952
M965.199.5410
Uno Who's Almanac for 1954.
Uno Who's Almanac for 1954.
John Collins
1953
M965.199.9537
Uno Who's Gift List.
Uno Who's Gift List.
John Collins
About 1963
M965.199.2722
Who's Leading Whom ?.
Who's Leading Whom ?.
John Collins
About 1957
M965.199.6383

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.