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Gelatin silver film negative
James Murray, painting, copied for Mrs. Oliphant, 1921
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1921
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions24.9 x 19.9 cm
Origin
Canada
Object NumberVIEW-20085
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
James Murray, painting, copied for Mrs. Oliphant, 1921
Wm. Notman & Son Ltd.
1921
VIEW-20084
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Wm. Notman & Son Ltd.
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Venice, Italy, painting by James Wilson Morrice, copied for Scott & Sons, 1936
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1936
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Gongolas, Venice, Italy, painting by James Wilson Morrice, copied for Watson Art Gallery, 1936
Wm. Notman & Son Ltd.
1936
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Sir James Henry Craig, painting by Thomas Lawrence, copied for G. W. Pacaud 1934-35
Wm. Notman & Son Ltd.
1934-1935
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Sir James Henry Craig, painting by Thomas Lawrence, copied for G. W. Pacaud 1934-35
Wm. Notman & Son Ltd.
1934-1935
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Quaiside, France (?), painting by James Wilson Morrice, copied for Watson Art Gallery, 1933
Wm. Notman & Son Ltd.
1933
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Beach scene, painting by James Wilson Morrice, copied for Watson Art Gallery, 1933
Wm. Notman & Son Ltd.
1933
VIEW-25320
Winter street scene, painting by James Wilson Morrice, copied for Watson Art Gallery, 1932
Wm. Notman & Son Ltd.
1932
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Gibraltar Rock, painting by James Wilson Morrice, copied for Scott & Sons, 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25527
Quebec City, painting by James Wilson Morrice, copied for Scott & Sons, 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25525
Provence village, France, painting by James Wilson Morrice, copied for Scott & Sons, 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25663
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.