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Gelatin silver glass plate negative
Riverside, painting by J. W. Beatty, copied 1920
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.2 x 25.3 cm
Origin
Canada
Object NumberVIEW-19715
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Woman playing cards, painting by J. W. Beatty, copied 1922
Wm. Notman & Son Ltd.
1922
VIEW-20548
Winter landscape, painting by J. W. Beatty, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23466
Landscape, painting by J. W. Beatty, copied for Art Association, 1915
Wm. Notman & Son
1915
VIEW-15405
Portrait of Edward Beatty (?), painting by and copied for George Horne Russell, 1924
Wm. Notman & Son Ltd.
1924
VIEW-21154
Riverside Inn, Middle River, Cape Breton, NS, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8378
Portrait of an unidentified woman, painting, copied for G. W. Henderson, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19595
Portrait of an unidentified man, painting, copied for G. W. Henderson, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19594
Edward Wentworth Beatty, Montreal, QC, 1931
Wm. Notman & Son Ltd.
1931
II-298323
Dockside scene, painting by Charles W. Simpson, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19703
Portrait of an unidentified man, painting by Frederick Horsman Varley, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19719
Thames, London, England, painting by F. M. Bell-Smith, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19718
Girl seated by water, painting by Lorna Fyfe Reid, copied for Miss Lorna Reid, 1920-21
Wm. Notman & Son Ltd.
1920-1921
VIEW-19729
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.