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Gelatin silver glass plate negative - Landscape, painting by Florence Helena McGillivray, 1917, copied ca.1919 | McCord Museum
Image Not Available for Paysage, peinture de de Florence Helena McGillivray, 1917, copie réalisée vers 1919
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Paysage, peinture de de Florence Helena McGillivray, 1917, copie réalisée vers 1919
Image Not Available

Gelatin silver glass plate negative

Landscape, painting by Florence Helena McGillivray, 1917, copied ca.1919
Artist (1882-1919)
SignatureNon signé / Unsigned
Date 1918-1920
Medium / Technique Silver salts on glass
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
ClassificationCommunication Objects - Documentary Objects - Graphic Documents
Origin Canada
Object NumberVIEW-17966
DivisionPhotography - Notman Photographic Archives
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
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Gelatin silver glass plate negative
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Gelatin silver glass plate negative
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Gelatin silver glass plate negative
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Gelatin silver glass plate negative
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Gelatin silver glass plate negative
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Gelatin silver glass plate negative
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Image Not Available for Christ, 1909, painting by Guido Nincheri, copied ca.1919 for G. Nincheri
Gelatin silver glass plate negative
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Image Not Available for Sampler, by Kate Reed, 1917, photographed ca.1919
Gelatin silver glass plate negative
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Wm. Notman & Son
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Image Not Available for Landscape, 1913, painting by and copied for William Brymner, copied 1916
Gelatin silver glass plate negative
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Image Not Available for Landscape, painting by and copied for M. Cullen (?), 1920
Gelatin silver glass plate negative
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Wm. Notman & Son Ltd.
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This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.