Skip to main contentGelatin silver glass plate negative - Sampler, by Kate Reed, 1917, photographed ca.1919 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Sampler, by Kate Reed, 1917, photographed ca.1919
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1919-1920
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
Origin
Canada
Object NumberVIEW-19170
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
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Wm. Notman & Son Ltd.
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Mrs. Hayter Reed, painting, photographed in 1912
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Two World War I soldiers on horseback, painting by Léon Galand, 1917, copied ca.1919
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Bird hunting, painting by James Edward Hervey MacDonald, 1917, copied ca.1919
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Landscape, painting by Florence Helena McGillivray, 1917, copied ca.1919
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1918-1920
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Cable from Max Aitken to George G. Foster, photographed in 1917
Wm. Notman & Son
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Wedding gift to Hugh Paton from the Montreal Hunt Club, 1884, photographed in 1917
Wm. Notman & Son
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Family crest, photographed for J. L. Robertson in 1917
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Interior of Notre Dame Church, painting by and photographed for Miss M. H. Carlisle, 1919-20
Wm. Notman & Son
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Interior of Notre Dame Church, painting by and photographed for Miss M. H. Carlisle, 1919-20
Wm. Notman & Son
1919-1920
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Interior of Quebec Public Library, Montreal, QC, drawing by and photographed for Miss M. H. Carlisle, 1919-20
Wm. Notman & Son
1919-1920
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Interior of Quebec Public Library, Montreal, QC, drawing by and photographed for Miss M. H. Carlisle, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18241
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.