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Gelatin silver glass plate negative - Romany girl, painting by G. Fuller, copied for Century Magazine 1912 | McCord Museum
Jeune bohémienne, peinture de G. Fuller, copie réalisée pour le « Century Magazine », 1912
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Jeune bohémienne, peinture de G. Fuller, copie réalisée pour le « Century Magazine », 1912

Gelatin silver glass plate negative

Romany girl, painting by G. Fuller, copied for Century Magazine 1912
Artist (1882-1919)
SignatureNon signé / Unsigned
Date 1912
Medium / Technique Silver salts on glass
Gelatin dry plate process
Dimensions25.2 x 20.2 cm
Origin Canada
Object NumberVIEW-12576
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
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Mother and child, painting by Jean-François Millet, copied for Century Magazine 1912
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Portrait of a woman, painting by Sir Henry Raeburn (ca.1800), copied for Century Magazine 1912
Portrait of a woman, painting by Sir Henry Raeburn (ca.1800), copied for Century Magazine 1912
Wm. Notman & Son
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Girl holding mandolin, painting by Laura Muntz, 1912, copied for Canadian Magazine
Girl holding mandolin, painting by Laura Muntz, 1912, copied for Canadian Magazine
Wm. Notman & Son
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Mother and child, painting by Eugène Carrière, copied for Century Magazine 1913
Mother and child, painting by Eugène Carrière, copied for Century Magazine 1913
Wm. Notman & Son
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Shepherd and lambs, painting by Matthijs Maris, 1872, copied for Century Magazine
Shepherd and lambs, painting by Matthijs Maris, 1872, copied for Century Magazine
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Seascape, painting by Joseph Mallord William Turner, copied for Century Magazine 1913
Seascape, painting by Joseph Mallord William Turner, copied for Century Magazine 1913
Wm. Notman & Son
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This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.