Skip to main content
Collections Menu
Tear sheet - What's Next | McCord Museum
What's Next
View PDF
What's Next
What's Next

Tear sheet

What's Next
Artist (1919 - 2017)
SignatureOn front, printed on newsprint paper, l.c.: Eugenie
InscriptionsOn front, printed on newsprint paper, u.l.: THE GAZETTE, TUESDAY, JULY 20, 1964; on front, printed on newsprint paper, u.c.: WHAT'S / NEXT / Knits with a knock-out story! A whole [...]; on back, printed on newsprint paper: [...]
Period Milieu 20e siècle
Dimensions50.8 × 36 cm
Origin Montreal, Quebec, Canada
Object NumberM2017.118.351
CreditGift of Georgine Strathy
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
What's Next
What's Next
Eugenie Groh
1964
M2017.118.352
What's Next
What's Next
Eugenie Groh
1964
M2017.118.349
What's Next
What's Next
Eugenie Groh
1964
M2017.118.350
For the Next 10 Days… 
For the Next 10 Days… 
Eugenie Groh
1979
M2017.114.239
Look what the factory put out for after work !
Look what the factory put out for after work !
Eugenie Groh
1968
M2017.114.114
Grenier: Master Artist of the Underworld
Grenier: Master Artist of the Underworld
Eugenie Groh
1969
M2017.114.135
Moving In: "The Skinsuit"  From France
Moving In: "The Skinsuit"  From France
Eugenie Groh
1968
M2017.114.121
Indian Summer Splendour
Indian Summer Splendour
Eugenie Groh
1967
M2017.118.407
Eaton's Fashion Flair '64
Eaton's Fashion Flair '64
Eugenie Groh
1964
M2017.118.353.1
Four Now Looks
Four Now Looks
Eugenie Groh
1967
M2017.114.94.1
New Chelsea Place Spotlights. The Two Great Shapes of Spring  
New Chelsea Place Spotlights. The Two Great Shapes of Spring  
Eugenie Groh
1967
M2017.114.95
Easy Ways for a Good Profile
Easy Ways for a Good Profile
Eugenie Groh
1968
M2017.114.110

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.