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Cartoon - Always Thrown for a Loss. | McCord Museum
Tous ces efforts pour pas grand-chose
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Tous ces efforts pour pas grand-chose

Cartoon

Always Thrown for a Loss.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1954
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 28.9 cm
Origin Canada
Object NumberM965.199.7466
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Thrown for a Loss.
Thrown for a Loss.
John Collins
About 1951
M965.199.7771
The Fellow Who Shakes the Tree Doesn't Always Get the Fruit
The Fellow Who Shakes the Tree Doesn't Always Get the Fruit
John Collins
About 1959
M965.199.5026
Always Feel the Squeeze.
Always Feel the Squeeze.
John Collins
About 1950
M965.199.307
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Always Gets the Joker.
Always Gets the Joker.
John Collins
About 1951
M965.199.8279
Where It Always Ends.
Where It Always Ends.
John Collins
About 1948
M965.199.8209
Always Leaves His Packing until the Last Minute.
Always Leaves His Packing until the Last Minute.
John Collins
About 1948
M965.199.8231
There's Always a Day after Christmas.
There's Always a Day after Christmas.
John Collins
About 1948
M965.199.3865
It's Always Mosquito Season.
It's Always Mosquito Season.
John Collins
About 1954
M965.199.7503
Somehow They Always End Up the Same Way.
Somehow They Always End Up the Same Way.
John Collins
About 1969
M965.199.6956
Always the Goat.
Always the Goat.
John Collins
About 1956
M965.199.1017
It Always Ends Up with the Water-Boy.
It Always Ends Up with the Water-Boy.
John Collins
About 1967
M965.199.9649

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.