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Cartoon - More Hoops. | McCord Museum
Encore des cerceaux
Encore des cerceaux

Cartoon

More Hoops.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1958
Medium / Technique Ink, graphite, watercolour on Paper
Dimensions37.1 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1175
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Ethics Counsellor, Howard Wilson, to Try Dangerous Hoop Jump
Ethics Counsellor, Howard Wilson, to Try Dangerous Hoop Jump
Serge Chapleau
2000
M2002.131.89
Having a Bit More Trouble Handling this One.
Having a Bit More Trouble Handling this One.
John Collins
About 1960
M965.199.9389
Does More for American Prestige than Anything Else.
Does More for American Prestige than Anything Else.
John Collins
1960
M965.199.8887
More Polar Explorations.
More Polar Explorations.
John Collins
About 1958
M965.199.6218
"The One We Had in Mind was More Rose-Covered".
"The One We Had in Mind was More Rose-Covered".
John Collins
About 1968
M965.199.6714
More Manoeuvres in Space.
More Manoeuvres in Space.
John Collins
About 1965
M965.199.969
The More Hollow It Is the More Noise It Makes.
The More Hollow It Is the More Noise It Makes.
John Collins
About 1952
M965.199.5469
More and More Ornaments on a Smaller Tree.
More and More Ornaments on a Smaller Tree.
John Collins
About 1960
M965.199.8849
More British Empire Games.
More British Empire Games.
John Collins
About 1962
M965.199.7203
Still More Adventures of Alice.
Still More Adventures of Alice.
John Collins
About 1953
M965.199.5374
More Olympic Event.
More Olympic Event.
John Collins
1960
M965.199.3939
No More Shadow-Boxing.
No More Shadow-Boxing.
John Collins
1948
M965.199.2614

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.