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Cartoon - Bathing Costumes Again | McCord Museum
Le retour des maillots de bain
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Le retour des maillots de bain

Cartoon

Bathing Costumes Again
Artist (1870-1941)
SignatureL.r., A. G. Racey
InscriptionsWritten in pencil above cartoon: Mere male: - Look who's here. Let's scram!; The female: - Scram nothing! Leave it to me, - remember Lachine.
Date 1920-1930
Medium / Technique Ink and graphite
Dimensions39 x 31.2 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.119
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
England Leads the World Again
England Leads the World Again
Arthur George Racey
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A Mouthful and Then Home Again
A Mouthful and Then Home Again
Arthur George Racey
1939
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That Old Will O' the Wisp Again
That Old Will O' the Wisp Again
Arthur George Racey
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The Periodical Visit, We Have With Us Again
The Periodical Visit, We Have With Us Again
Arthur George Racey
About 1930
M2005.23.14
"Will Ye No Come Back Again"
"Will Ye No Come Back Again"
Arthur George Racey
1932
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Once Again the Attention of Our Lawmakers Is Drawn
Once Again the Attention of Our Lawmakers Is Drawn
Arthur George Racey
1920-1930
M2005.23.309
The Old Protection Swimming Hole
The Old Protection Swimming Hole
Arthur George Racey
1930
M2005.23.256
Fickle Fatima and Her Oily Wiles
Fickle Fatima and Her Oily Wiles
Arthur George Racey
1918-1928
M2005.23.257
Euler's Plan for Canadian Railway Solvency
Euler's Plan for Canadian Railway Solvency
Arthur George Racey
1920-1930
M2005.23.255
The Thoughtless Boomerang Thrower
The Thoughtless Boomerang Thrower
Arthur George Racey
1920-1930
M2005.23.260
What Does He See?
What Does He See?
Arthur George Racey
1920-1930
M2005.23.261
Total Chaos
Total Chaos
Arthur George Racey
1929
M2005.23.258

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.